In addition to Parasite, Happy End, Everybody Knows and Le Redoutable programmed on TV.
While the Cannes film festival 2021 takes place exceptionally in July, France Télévisions has designed a special program. Several films acclaimed during the festival are scheduled on France 2 and France 3 on the next two Mondays: Parasite, by Bong Joon-ho, Happy End, by Michael Haneke, Everybody Knows, Asghar Farhadi and The Redoubtable, by Michel Hazanavicius. But the group does not stop there and puts online a dozen films in parallel, on his site France.tv.
France 3 will broadcast Parasite just before the 2021 Cannes Film Festival
Since July 1, here are the films that have marked the history of the Cannes Film Festival, which are online on the site: In the distance go the clouds, Aki Kaurismaki, We Need to Talk About Kevin, by Lynne Ramsay, Naked, by Mike Leigh, Winter sleep, by Nuri Bilge Ceylan, Ajami, by Scandar Copti and Yaron Shani, Illegal work, by Jerzy Skolimowski and The Lobster, by Yorgos Lanthimos, as well as three feature films unveiled during La Quinzaine des Réalisateurs: Amerrika, by Cherien Dabis, The Apaches, by Thierry de Peretti and Alyah, by Elie Wajeman.
The site must still add Tokyo Delights, by Naomi Kawase, Taxi Blues, by Pavel Lounguine and The past, by Asghar Farhadi.
Zoom in on three of them, which particularly pleased the editorial staff: Winter sleep, who won the Palme d’Or in 2014, We Need to Talk About Kevin, family drama worn by Tilda Swinton and John C. Reilly in great shape and which revealed Ezra Miller, in 2011, and The Lobster, which received the Jury Prize, in 2015.
“Winter Sleep is long but … it’s sublime, modern, and it’s often like in life”, we wrote to present this Palme d’Or of 3:16. Trust us, as well as Thierry Frémaux, the general delegate of the Cannes festival, who presented it thus before its screening and its Cannes triumph: “Winter Sleep is an extraordinary film by its duration, its ambition and its accomplishment. ”
The story of Winter sleep : Aydin, a retired actor, runs a small hotel in central Anatolia with his young wife Nihal, from whom he has moved away sentimentally, and his sister Necla who is still suffering from her recent divorce. In winter, as the snow covers the steppe, the hotel becomes their refuge but also the scene of their heartbreak …
Nuri Bilge Ceylan’s cinema: “Yes, it’s very slow, but …”
“I think I have exploded my quota of mustached films!”, laughed Colin Farrell by presenting The Lobster at First. The actor finds one of his most striking roles in this very creepy futuristic fable by Lorgos Lanthimos, in which people who fail to form a couple before a certain age find themselves transformed into the animal of their choice. . An artwork “Bunuelienne in devil”, whose drafting was especially transported by the end: “The last third of the film, devoid of cynicism, shows the extent of Lanthimos’ talent, capable of thematically spreading wide and going where you don’t expect him to.”
Cannes 2015: review of The Lobster, surrealist Jury Prize
We Need to Talk About Kevin
In this drama, it’s the opposite: the film starts off so strongly that afterwards, the editorial staff was a little unsatisfied. All the same, “the meaning of the monstrous image” of the director and the combined talents of the cast make that ten years after her “strong impression” at Cannes, it is still worth a look: “This intricate portrait of a mother and a son who ends in a bloodbath is impressive. Notably for the way Ramsay blurs the lines between genre films (the dream sequences from the beginning, the evil toddler who would freak out Damien) and the mainstream film (a real psychological study which is coupled with an intense intimate drama). Ramsay makes the big difference between the intimate and psycho strength of Bergman and the madness of Lynch. Balèze we tell you. “
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