Summary of Première n ° 523: Adam Driver, Clint Eastwood, Les Eternels, Valeria Bruni-Tedeschi, Dany Boon, Edgar Wright …

Summary of Premiere n ° 523: Adam Driver, Clint Eastwood, Les Eternels, Valeria Bruni-Tedeschi, Dany Boon, Edgar Wright ...
First
Premiere # 523: The cover of the November 2021 issue
First
Premiere # 523: Adam Driver is on the cover
First
Premiere n ° 523: Portrait of Valeria Bruni-Tedeschi
First
Premiere n ° 523: Portrait of Jonathan Majors
First
Premiere n ° 523: On the set of Eternals by Chloé Zhao
First
Premiere n ° 523: Interview with Dany Boon
First
Premiere n ° 523: Focus on Les Olympiades by Jacques Audiard
First
Premiere n ° 523: Meeting with Xavier Beauvois
First
Premiere n ° 523: Interview with Edgar Wright
First
Premiere n ° 523: The critical summary
First
Summary of Premiere n ° 523: Adam Driver, Clint Eastwood, Les Eternels, Valeria Bruni-Tedeschi, Dany Boon, Edgar Wright ...
Premiere # 523: The cover of the November 2021 issue
Premiere # 523: Adam Driver is on the cover
Premiere n ° 523: Portrait of Valeria Bruni-Tedeschi
Premiere n ° 523: Portrait of Jonathan Majors
Premiere n ° 523: On the set of Eternals by Chloé Zhao
Premiere n ° 523: Interview with Dany Boon
Premiere n ° 523: Focus on Les Olympiades by Jacques Audiard
Premiere n ° 523: Meeting with Xavier Beauvois
Premiere n ° 523: Interview with Edgar Wright
Premiere n ° 523: The critical summary

Premiere # 523: The cover of the November 2021 issue

Premiere # 523: Adam Driver is on the cover

Premiere n ° 523: Portrait of Valeria Bruni-Tedeschi

Premiere n ° 523: Portrait of Jonathan Majors

Premiere n ° 523: On the set of Eternals by Chloé Zhao

Premiere n ° 523: Interview with Dany Boon

Premiere n ° 523: Focus on Les Olympiades by Jacques Audiard

Premiere n ° 523: Meeting with Xavier Beauvois

Premiere n ° 523: Interview with Edgar Wright

Premiere n ° 523: The critical summary

The November issue hits newsstands.

Adam driver is on the cover of the new First. And for good reason, the actor is everywhere this year: after Annette, the musical by Leos Carax which opened the 2021 Cannes Film Festival, he is back in two films by Ridley scott : The Last Duel and House of Gucci. This 523rd issue also offers you portraits of Valeria Bruni Tedeschi, Jonathan majors and Clint eastwood, respectively back with The divide, The Harder they Fall and Cry Macho. First also went on the set of Eternals, the new Marvel super-movie directed by Chloe zhao, and offers you a focus on The Olympics, of Jacques Audiard. The editorial staff also met Dany boon, Xavier Beauvois and Edgar wright, the directors coming out this month 8, rue de l’Humanité (on Netflix), Albatross and Last Night in Soho.

On the critical side, find our opinions on The French Dispatch, Halloween kills, Barbaque, Many Saints of Newark, Aline, Those who want my death or Memoria. Series side, American Crime Story come back with Impeachment, and comedy Fuzzy love, with Romane Bohringer and Philippe Rebbot, is available for the small screen.

Finally, it is Soko which lends itself to the game of “film which …”

Good reading !

The Last Duel is a new high for Ridley Scott [critique]

The editorial of this 523rd issue:

Handsome dark

There is the strange geometry of her face, her angular brutality that contrasts with the softness of her gaze. There is his slender, long, very long athletic body. And there is his film, impressive, where friends Martin Scorsese and Spike Lee, Jim Jarmusch and Noah Baumbach, Leos Carax and Spielberg. To which is now added Ridley Scott with, one month apart, The Last Duel and House of Gucci. It’s all (his aura, his story) that we tell you in our portrait of Hollywood’s strangest star, Adam Driver. But perhaps his real strength lies in his ability to be at ease in all registers and in all cinemas. This is probably why it was the ideal cover for this issue. You will meet Dany Boon and Clint Eastwood, Xavier Beauvois and Edgar Wright, the superheroes of Eternals facing a rebooted Jacques Audiard. A varied program that smells great… We don’t really dare say it, we don’t even quite believe it. But it floats like a perfume from the world before. The one where the cinemas were full and offered a variety of hyper stimulating films; the one where blockbusters rubbed shoulders with cutting-edge auteur films. Moreover, it is a sign: even the last James Bond, so often postponed, finally came out.

Gaël Golhen, editor-in-chief

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